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HIGHLIGHTS
Selected artistic, scholarly, and process-based work

Here I bring together international participations, exhibitions, films, research projects, book chapters, and collective initiatives that have shaped my trajectory in recent years. My work moves between art and theory, and each entry emerges from the friction between practice, inquiry, and mediation.

This selection highlights how different formats — artworks, texts, curatorial projects, films, and conference presentations — operate as ways of observing and testing movements of the creative process, in dialogue with artists, communities, and institutions in Brazil and abroad.

A. International Research and Academic Production

  • Postdoctoral Research in Creative Process – Universidad de Navarra, Spain (2023).

Supervised by Sara Barrena, a leading international scholar in Peircean studies.

  • Postdoctoral Research in Creative Process – University of Rhode Island, USA (2024)

Supervised by Vincent Colapietro, one of the foremost figures in pragmatist philosophy.

23rd International Meeting on Pragmatism, University of São Paulo (USP), São Paulo, Brazil (2024).

​A documentary emerging from my postdoctoral practice-based research, investigating how creative processes unfold, resist, and reorganize.

B. Methodological Contributions

Residência Artística – Em Processo  (Artistic Residency – "In Process") — Creator & Coordinator (6 editions)

C. Awards — Residency Program - "In Process"

  • Certified and awarded as a Ponto de Cultura (Guarapuava – PR);

  • 6th place among 1,130 projects in the State Multi-Arts Funding Program (SEEC/PR, score 99/100);

  • 8th place and recommendation for award in the National Policy for Living Culture Program (PNAB/SEEC-PR, score 97/100);

  • 3rd place in the Arte em Rede – Conexões Call (Municipal Department of Culture of Guarapuava, 2025).

 

D. International Conferences, Lectures & Event Organization

  • Workshop: Do Not Block the Movement of Creation — Attraction, Friction, and Alignment. Universidad Santo Tomás, Bogotá, Colombia (2025).

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  • Pragmatic Move in Design: Shift from Theories to PracticeUniversità degli Studi del Molise, Italy (2019).

  • A Peircean Study on the Openness of Design to Interpretation and Its Possibilities of Connection with the Field of Art. Benemérita Universidad Autónoma de Puebla (BUAP), Mexico (2019).

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  • Creation Processes: From Models of Contemplation and Construction to Evolution ThoughtUniversidad Santo Tomás, Bogotá, Colombia (2022).

  • Workshop: Creation Processes in Art–Design in the Light of Peircean Thought. Universidad Santo Tomás, Bogotá, Colombia (2022).​

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  • Encontros Internacionais de Pragmatismo (International Pragmatism Meetings) — São Paulo  — Participation & Organization across several editions (17th–23rd).​

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  • Simpósio de Arte (Art Symposium: Route) — Guarapuava. Organization across several editions (9th–13th)

E. Major International Art Exhibitions

  • Dois ao Avesso: Eu-Fabulário (Inside Out: Self-Fable) — Buenos Aires, Argentina (2009).

  • Form(a)tivity I — Faculty of Fine Arts, University of Porto (FBAUP), Portugal (2017).

  • En Cartel: el valor poético del diseño gráfico (On Poster: The Poetic Value of Graphic Design) — Universidad Santo Tomás, Bogotá, Colombia (2022). 

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F. Major National Exhibitions

  • Oscar Niemeyer Museum – Curitiba (Brazil)

 

Pássaros em Cerâmica (Ceramic Birds) — MON, Curitiba (2015–2016)
Large-scale intervention with 100+ artists across museum and public spaces.  

 

Cadeiras em Cerâmica (Chair in Ceramics)MON, Curitiba, Guarapuava, Paranaguá (2014)

Large-scale intervention with 100+ artists across museum and public spaces.  

  • MARCO – Museum of Contemporary Art of Mato Grosso do Sul (Brazil)

Comtempo – Contextos e Conceitos (Contexts and Concepts) — MARCO, Campo Grande (2004)


Comtempo – Traços e Registros (Traces and Records) — MARCO, Campo Grande (2006) 


Two in Reverse: Um Ponto, Dois Pontos — MARCO, Campo Grande (2008)

  • SESC (Brazil)

Designare: Desenho, Design — SESC Arsenal, Cuiabá (2009) 


Designare: Desenho, Design — SESC Horto, Campo Grande (2009)  

  • State University of Central-West (Brazil)

II Mostra Bienal de Arte da UNICENTRO (2nd UNICENTRO Art Biennial) — Guarapuava (2024) 

I Mostra Bienal de Arte da UNICENTRO: Women – Paths of Disobedience and Resistance. (1st UNICENTRO Art Biennial) — Guarapuava (2022) 

  • Iracema Trinco Ribeiro Arts Center

Universo Indecifrável (Indecipherable Universe) — Guarapuava (2022) 


Partes do Todo: processos de criação em arte (Parts of the Whole: Creative Processes in Art) — Guarapuava (2022)  

 

Residência Artística – Em Processo  (Artistic Residency – In Process) (2022, 2023, 2024, 2025) — Curator 

 

G. Key Publications

  • Book Chapters

A Peircean study on the openness of design to interpretation and its possibilities of connection with the field of art.
In The Reception of Peirce and Pragmatism in Latin America (Torres Asociados, Mexico City, 2020).

Tensões, conflitos e resistência: a formação do pensamento dicotômico entre arte e design (Tensions, Conflicts, and Resistance: The Formation of Dichotomous Thinking Between Art and Design)

In Banqueteando Saberes: pesquisa e ensino de arte (Feasting on Knowledge: Art Research and Teaching) — Pedro & João, 2022.

Savage Beauty: as relações entre a arte e o design na produção de Alexander McQueen (The Relations Between Art and Design in the Work of Alexander McQueen)

In Arte na Atualidade (Art in the Present Time), Paco Editorial (2015).

Comunicação exterior e a formação do cartaz (Outdoor Communication and the Making of the Poster)
In Artes Visuais: Apontamentos Teóricos (Visual Arts: Theoretical Notes), UNICENTRO (2015).​

  • Books / Edited Volumes

Banqueteando Saberes: pesquisa e ensino de arte (Feasting on Knowledge: Art Research and Teaching) — Pedro & João, 2022. Co-editor.

Arte na Atualidade (Art Today) — Paco e Littera, 2015. Co-editor.
 

Artes Visuais: Apontamentos Teóricos (Visual Arts: Theoretical Notes) — UNICENTRO, 2015. Editor

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